Review: ‘I Saw the TV Glow’ Shines Visually but Falters in Storytelling

‘I Saw the TV Glow’ captivates with stunning visuals and strong performances, particularly by Justice Smith and Ian Foreman. The film’s narrative explores identity and sexuality through the lens of obsession with a TV show. However, it struggles with focus, intertwining too many themes, leaving the story feeling scattered and unresolved.

In ‘I Saw the TV Glow,’ viewers are drawn into a visually captivating world, yet the storytelling leaves something to be desired. The film, a coming-of-age fantasy horror tale, follows Owen, played by Justice Smith, as he embarks on a journey of self-discovery alongside Maddy, an older girl who introduces him to a cult TV show called “The Pink Opaque.” Amidst their growing obsession with the show, the characters explore their identities in terms of personality and sexuality.

The dual performances of Smith and Ian Foreman as Young Owen are particularly striking; Foreman’s portrayal shows traces of imitating Smith while infusing his character with unique nuances. Maddy, played by Jack Haven, exudes an edgy vibe that complements the story, although her performance feels somewhat overshadowed by the two Owens’ dynamic. However, what truly elevates the film are its innovative visuals, leaving a lasting impression with striking imagery like an ice cream truck exuding purple smoke and a burning TV in Maddy’s backyard.

While the film’s visuals earn commendation reminiscent of academic endeavors, the storytelling lacks focus. As Owen and Maddy seek to grasp their unique selves, the themes of sexuality and existentialism intertwine. Maddy’s inquiry into Owen’s attraction reveals an undercurrent of confusion, culminating in his whimsical reply about a preference for TV shows—a moment that signals the film’s deeper themes surrounding the fragility of time.

The narrative veers into weighty territory as it frames the characters’ growth within a context of impending mortality, urging viewers to live fully before time slips away. The film offers an uplifting turn with Maddy’s eventual disappearance, highlighting Owen’s journey towards self-actualization as he is reminded that “there is still time”—a sentiment written in sidewalk chalk, underscoring the film’s hopeful undertones.

However, as the film attempts to tackle both LGBTQ themes and the looming specter of time, it feels directionless in the final act. The metaphors become scattered and overwhelming, leading to a conclusion that lacks closure or clarity. Overall, while ‘I Saw the TV Glow’ shines in its visual execution and performance strengths, its convoluted plot diminishes the impact, leaving a muted feeling reminiscent of rewatching a once-vibrant episode of “The Pink Opaque.”

In summary, ‘I Saw the TV Glow’ dazzles with its striking visuals and nuanced performances but falters with an unfocused narrative. The film grapples with important themes of identity and the urgency of living, yet ultimately stumbles by trying to juggle multiple metaphors, resulting in a lack of resolution. Despite its commendable aspects, the storytelling leaves audiences yearning for more depth and coherence.

Original Source: www.dailyeasternnews.com