Alfonso Cuarón’s Quest: Can ‘Disclaimer’ Shine at the Oscars?

Oscar-winning director Alfonso Cuarón is not merely contemplating but diving deep into an intricate puzzle: how to transform his mesmerizing seven-hour Apple TV+ drama, “Disclaimer,” into a cinematic gem that captures the Academy’s attention. Adapted with finesse from Renée Knight’s gripping 2015 novel, this riveting tale unravels the life of Catherine Ravenscroft, portrayed brilliantly through the textures of time by Leila George and Cate Blanchett. The story ignites when Catherine receives a chilling manuscript titled “The Perfect Stranger,” its eerie reflection touching on secrets she’s buried for decades.

Having premiered at the illustrious Venice Film Festival and showcased in a captivating two-part experience at Telluride, “Disclaimer” is no ordinary viewing; it demands your breath, your attention, and above all, your respect. After indulging in this cinematic masterpiece, one can’t help but declare: if it were merely a film, it would triumph at the Oscars for Best Picture without contest.

In the enchanting mountains of Telluride, a serendipitous encounter found me racing to Cuarón as he awaited the next screening. With excitement simmering, I posed a compelling question about how this seven-hour work could earn its rightful place among Oscar contenders. Cuarón, with a swift correction, declared, “It’s a seven-hour film,” underscoring the narrative’s grandiosity.

Engaged and pondering, I pressed further on the eligibility predicament. Cuarón thoughtfully acknowledged the challenge, revealing his contemplations and the murky waters of Academy rules. His insights hinted at creative strategies, perhaps theatrical releases in segments that seamlessly weave the story together, tantalizing ticket buyers with the promise of something exceptional.

As discussion swirled around the festival, one can’t overlook the stellar cast that brings “Disclaimer” to life. Blanchett and George stand as titans, while the magnetic performances of Kevin Kline, Lesley Manville, Sacha Baron Cohen, and Kodi Smit-McPhee add layers of depth. Newcomer Louis Partridge delivers a performance that punctuates the narrative with a vibrant punch, showcasing his burgeoning talent as he embarks on a promising career that has already caught the attention of directors like Greta Gerwig.

Now, the industry buzzes with excitement, speculating if Cuarón’s brainchild will indeed seek an Oscar, adding a rich tapestry of storytelling to a season that is brimming with creative fervor. As this tale of secrets and self-discovery unfolds in the shimmering light of accolades and awards, the world watches in anticipation, breath held tightly, waiting to see if “Disclaimer” will take its rightful bow on the grandest of stages.